Processing

Mimesis/Synthesis

In these plotter drawings two systems of representation are contrasted: mimesis, wherein the form of the representation is derived through a process of imitation; and synthesis, wherein the form is derived by a process of virtual ontogenesis -- that is the form is made in a way analogous to the process of growth in the referent.

Contemporaneity

The stochastic photo algorithm I developed for use with the pen plotter was put to work here to animate an image of me speaking before the camera. As usual, I am concerned with my relation to the moment, and in a more general way, how it is that artists negotiate a triangulation between participation and criticality towards the trends of the day.

Perlin Clocks

The multi-dimensional gradient noise provided by Ken Perlin's algorithm is the compass for this minimal study in variation accross a grid. The direction of the line is determined by perlin noise.

Photo Strands or Stochastic Photography

The constraints of drawing with an antiquated plotter include the difficulty of drawing anything but straight lines. So to represent photographic images took some creativity. This software draws random lines in a density inversely proportionate to the light density of each area in the photograph.

brokenWave

Broken Wave is a "data toy." It generates both sound and visuals based on a complex sign wave function that can be modulated and manipulated by the user using mouse gestures.

Harmonomic

The ideology of individualism requires the maintenance of some semblance of interpersonal difference. The horror produced by the idea of cloning, or the imagined forced conformity of communist society, is surely tied to a certain attachment to the idea of difference. At the same time, conformity exerts a strong influence and difference is disciplined away.

Super Imposition

Observe that even without a grid, the rooms you now inhabit are partitioned and assigned specific uses. How have these been determined and allotted? How is that one corner has become the territory of a certain artist, and one wall, the domain of another? This exhibition was "designed"; that is, the space was divided up and allocated to the participants.

Disposition of the Space

Ever since the enclosing of the commons, there seems to have been a tendency for all grouped uses of space to reenact that tragedy on a petty scale. We have so well unlearned the communal use of space, that it is practically inconceivable; its laws and its rights are lost. Space is received by a group as a whole and in common, but its use is understood as individual and exclusive.

Contest: War and Peace

There is a new archive of photography, and the photograph itself is changed. The archive is the structured columnar accumulation of endless banality to which any- and everyone contributes, and from which we all can also retrieve at will, and through those same worn channels, not just the singular image, but a stream of categorical similitude.

The Only Rule You May Be Told Is This One

The game of Mao has many rules, but only one that is spoken: "The only rule that may be told is this one." This game models a rule set located in the social in such a way that the articulation of the rules is prohibited while their obsessive instantiation is required.