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The stochastic photo algorithm I developed for use with the pen plotter was put to work here to animate an image of me speaking before the camera. As usual, I am concerned with my relation to the moment, and in a more general way, how it is that artists negotiate a triangulation between participation and criticality towards the trends of the day.

Date
June, 2010

President Barack Obama's State of the Union address has been analyzed and visualized at the State of the Union website. The address was delivered to Congress and the American people by the President on January 27th.

Date
January, 2010

My Inscription of the Girly Man piece was published in the online journal Vaugue Terrain this month (January 2009). The journal included my essay "The Language of Machines."

Date
January, 2009
Images

The question of what it is possible to think under the current regime of the United States, and what it might be possible to think sheltered from the threat of government surveillance is the journal's main concern. The Journal of American Thought Crime distributes a literary magazine in the form of an encrypted mailing list.

Date
July, 2008

President George W. Bush's final State of the Union address will be analyzed as well as televised thanks to the State of the Union website, a software art project by Brad Borevitz. The address is scheduled to be delivered to Congress and the American people by the President on January 28th. Within an hour after the text of the speech is released, visitors to the website at http://stateoftheunion.onetwothree.net will be able to see the results.

Date
February, 2008
Images

The game of Mao has many rules, but only one that is spoken: "The only rule that may be told is this one." This game models a rule set located in the social in such a way that the articulation of the rules is prohibited while their obsessive instantiation is required.

Date
May, 2007
Images

State of the Union (SOTU) provides access to the corpus of all the State of the Union addresses from 1790 to 2010. SOTU allows you to explore how specific words gain and lose prominence over time, and to link to information on the historical context for their use.

Date
May, 2006
There is a language of machines. While we may not know we know it, we do. It is our language too. Our sensitivity to the mechanical gesture confirms our affinities with the inanimate. We are the becoming thing of animality.

Kafka’s story, “In the Penal Colony”, reverses the narrative of a technological intervention which, in the sphere of justice, renders discourse moot. The explorer in this tale happens upon the penal colony on the day of the last use of an infernal machine–on the day of its destruction and the death of its last remaining proponent. This ironic and perverse inversion acts to emphasize the cruelty of the dawning of an age where a synthesis of bureaucratic method and mechanical execution conspire to radically redefine the meaning and function of not just justice, but of the faculty of judgment itself.

The body is not a given–not a whole, finished, and closed container of thought or of substance–but a kind of technical construction, always under construction.

Images

Inscription is an exploration of the aesthetics of power in relation to the task of writing. Here, in a time when the neo-fascist spirit is casting a shadow across the political culture, and when the possibility of meaningful political discourse seems more and more remote because of it, there is a relationship between the wealth of violence–war, images of brutality–and the poverty of our communications. There is a relationship between the denigration of thoughtfulness as weakness, femininity, and gayness, and the impossibility of halting the campaign of aggression that the U.S. has embarked on, or of furthering stalled progress in the domain of civil rights or economic justice.

Date
May, 2005

Between 1920 and 1945, Iwata Jun’ichi carried out an unprecedented, extensive research project on the history and literature of homoeroticism in Japan. Iwata used the Tokugawa period word nanshoku (a compound of the character for “male” and the character for “sexual love”) almost exclusively in reference to his topic; however, the more recent coinage doseiai (literally “same-sex-love”), a translation of “homosexuality,” was also current.

Date