politics

In Motherwell's  "Elegies to the Spanish Republic," abstractions of bull testicals serve as symbolic links with heroic death in the bloodly tragic war with fascism. He ties the Spanish bullfighting culture—a spectacle of life and death embeded within the everyday—to the contemplation of a specific historical loss.

Forty years seperate the events captured in these images, one from May 1968 Paris and the other from November 2011 New York. The pixels from each have been rearranged to approximate the image of the other.

In this experiment I fed back images into the system which created them so that the subsequent image degraded in each instantiation.

This fade to black approximates the effects of massified circulation of images where it seems that over time the images which once shocked, after repeated exposure, seem hardly able to elicit any response at all.

Images produced through the algorithmic processing of the images of Abu Ghraib. It seems that we are in some way blind to them. And this processing, which is likewise blind, repeats a kind of failed accounting for what the images show. We have failed to see, failed to reckon with, and failed to become accountable for that which the images bear witness to.

I continue to question the ethics of representing atrocity and the ironic dissipation of the moral force of images of atrocity within the society of the spectacle.

In Precarious Life, Judith Butler writes, "The reality is not conveyed by what is represented within the image, but through the challenge to representation that reality delivers." As I set up my drawing machine to reproduce the images from Abu Ghraib, I had that problem in mind.

The question of what it is possible to think under the current regime of the United States, and what it might be possible to think sheltered from the threat of government surveillance is the journal's main concern. The Journal of American Thought Crime distributes a literary magazine in the form of an encrypted mailing list.

The infamous photos of Abu Ghraib came to light in 2004. Now, four years later, we are still debating the ethics of torture, and are still apparently unable to really process the contents of the images we received from the American dungeons of Iraq.