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British Prime Minister Gordon Brown apologized for the treatment of Alan Turing and praised his contributions to the defeat of Fascism through breaking the German Enigma code.

Date
September, 2009
Images

Inscription is an exploration of the aesthetics of power in relation to the task of writing. Here, in a time when the neo-fascist spirit is casting a shadow across the political culture, and when the possibility of meaningful political discourse seems more and more remote because of it, there is a relationship between the wealth of violence–war, images of brutality–and the poverty of our communications. There is a relationship between the denigration of thoughtfulness as weakness, femininity, and gayness, and the impossibility of halting the campaign of aggression that the U.S. has embarked on, or of furthering stalled progress in the domain of civil rights or economic justice.

Date
May, 2005

The ideational threads that weave their way through this list summarize the obsessions that motivated my work during the five previous years. There is a trajectory here: from a concern for the abstract, theoretical underpinnings of computer technology, to the intertwining of technical and cultural logics in the lives and politics of the people who create and use computers.

Date
Images

Individual frames from the "infinite fuck" portion of the "Christopher Marcom Being Dead, Alan Turing Contemplates Emptiness As He Encounters A Series Of Boys Thus Arriving At The Possibility Of Computation" are arrayed on a grid

Date
October, 2004
Images

Thus Arriving At The Possibility Of Computation. The invention of the computer is traced to what came to be called the Turing Machine after the author of the 1936 paper “On Computable Numbers, With an Application to the Entscheidungsproblem” in which it was proposed. The tragic life of the Alan Turing is here figured as an embodiment of his invention

Date
May, 2004
Images

Pornocopia imagines pornography as a machine, a system, a software, an algorithm: a device for the multiplication of desire or for the production of desire’s contagion. It is structured as 10 software mechanisms, which play out a sequence of state changes within a single minute while containing a series of porn images.

Date
February, 2004

In reading Barney’s work, what is at stake is the question of the possible transformations of masculinities in a milieu which must account for the critiques not just of feminism but of queerness. It is equally probable that Barney stands as evidence of a regressive retrenchment of the masculine in these circumstances as it is that he stands for just the opposite, a masculinity that can renounce a determined mastery of a dominant role in relation to nature, women, creation, self, etc.

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A culmination of the work with harmonographs, this piece incorporates a sound track which was constructed using techniques analogous to the curves, and a voice-over which makes links between the abstract forms and social, sexual, and computational concepts. It is the first step in a narrativizing thrust of the work.

Date
May, 2003

Between 1920 and 1945, Iwata Jun’ichi carried out an unprecedented, extensive research project on the history and literature of homoeroticism in Japan. Iwata used the Tokugawa period word nanshoku (a compound of the character for “male” and the character for “sexual love”) almost exclusively in reference to his topic; however, the more recent coinage doseiai (literally “same-sex-love”), a translation of “homosexuality,” was also current.

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