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What is the signature of the artist when compared to the gesture of the machine?

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In Motherwell's  "Elegies to the Spanish Republic," abstractions of bull testicals serve as symbolic links with heroic death in the bloodly tragic war with fascism. He ties the Spanish bullfighting culture—a spectacle of life and death embeded within the everyday—to the contemplation of a specific historical loss.

Date
August, 2013
Images

This software uses flocking algorithms as the basis for the composition of soundscapes. It is a meditation on the question of what the group is, and what its proper functioning is. If we seem to constantly be wondering if we are doing what we are supposed to be doing in a group, birds by contrast, know how to flock.

Date
June, 2013
Images
Play is the invention of the possible out of the limits of constraint. Play is the preservation and confirmation of possibility in the face of limit. Play is how we manage to say something new in a language that seems all but used up. Play is the invention of a new rule from an old one. Play is finding the room to wiggle. Play is the space of freedom and the gesture of being free.
Date
December, 2012
Images

Forty years seperate the events captured in these images, one from May 1968 Paris and the other from November 2011 New York. The pixels from each have been rearranged to approximate the image of the other.

Date
December, 2011

The Occupy protests embodied a structure of dissemination and of identification that is also in evidence in computational media. This essay describes the style of sloganeering used by occupy protesters that we now would recognize as "meme culture" and connects that structure with the parametric structure of computation. 

Date
Images

To say that under a regime of the digital, the photograph has become "dubious," as Peter Lunenfeld has, still does not account fully for the ontological change that photography has undergone. The gross manipulability of the photograph is actually that which is most clearly understood and commonly remarked on.

Date
July, 2011
Images

In this experiment I fed back images into the system which created them so that the subsequent image degraded in each instantiation.

This fade to black approximates the effects of massified circulation of images where it seems that over time the images which once shocked, after repeated exposure, seem hardly able to elicit any response at all.

Date
April, 2011
Images

I continue to question the ethics of representing atrocity and the ironic dissipation of the moral force of images of atrocity within the society of the spectacle.

Date
March, 2011
Images

Images produced through the algorithmic processing of the images of Abu Ghraib. It seems that we are in some way blind to them. And this processing, which is likewise blind, repeats a kind of failed accounting for what the images show. We have failed to see, failed to reckon with, and failed to become accountable for that which the images bear witness to.

Date
March, 2011
Images

In Precarious Life, Judith Butler writes, "The reality is not conveyed by what is represented within the image, but through the challenge to representation that reality delivers." As I set up my drawing machine to reproduce the images from Abu Ghraib, I had that problem in mind.

Date
February, 2011
Images

In these plotter drawings two systems of representation are contrasted: mimesis, wherein the form of the representation is derived through a process of imitation; and synthesis, wherein the form is derived by a process of virtual ontogenesis -- that is the form is made in a way analogous to the process of growth in the referent.

Date
October, 2010

Life with computers has changed the way we see and think. A thorough understanding of the import of that change is difficult to attain. We tend to focus on the epiphenomena rather than the deep structure of computational culture. We are immersed in brands, in products, in the spectacle and the experience mediated by computers and screens, but we rarely consider data as such, or what a system is. And yet, data and system are the concepts that affect our way of seeing and thinking and make them radically different after the recent ubiquity of computers.

Date
Images

The constraints of drawing with an antiquated plotter include the difficulty of drawing anything but straight lines. So to represent photographic images took some creativity. This software draws random lines in a density inversely proportionate to the light density of each area in the photograph.

Date
August, 2010
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The multiplication of trees, a forest makes.

Date
April, 2010
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The first drawing algorithm I tried, after writing a java driver for my HP7475 plotter, was a recursive tree algorithm. These simple figures based on repeated uniform bifurcations produce almost perfect fractal structures. They are varied by changing the ratio of the left and right branches, the thickness of subsequent branches, etc.

Date
February, 2010
Images

Animal painting is popular again; the evidence is on YouTube. But it was popular in the Fifties and Sixties too and taken seriously by some in the art world and certainly by some biologists. Congo, the painting chimpanzee was a star.

Date
October, 2009
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Taking off from the children's song, "99 Bottles of Beer on the Wall," this piece creates allegorical software in which the path of drawing turtle of logo progressively gets more wobbly.

Date
December, 2008
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Experiments with the children's programming language "logo" resulted in these allegorical programs where the turtle (the drawing agent in logo) takes an anxious journey.

Date
December, 2008
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The question of what it is possible to think under the current regime of the United States, and what it might be possible to think sheltered from the threat of government surveillance is the journal's main concern. The Journal of American Thought Crime distributes a literary magazine in the form of an encrypted mailing list.

Date
July, 2008
Images

The infamous photos of Abu Ghraib came to light in 2004. Now, four years later, we are still debating the ethics of torture, and are still apparently unable to really process the contents of the images we received from the American dungeons of Iraq.

Date
March, 2008

These essays are from the catalog of "The Rules of the Game | The Game of the Rules." They attempt to frame the constellation of game, software and political allegory that were at the center of that project. An edition of 100 copies of the catalog were printed and distributed at the Whitney ISP exhibition at Artist Space.

Images

The game of Mao has many rules, but only one that is spoken: "The only rule that may be told is this one." This game models a rule set located in the social in such a way that the articulation of the rules is prohibited while their obsessive instantiation is required.

Date
May, 2007
Images

State of the Union (SOTU) provides access to the corpus of all the State of the Union addresses from 1790 to 2010. SOTU allows you to explore how specific words gain and lose prominence over time, and to link to information on the historical context for their use.

Date
May, 2006
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The site of production for Inscription, has a significance beyond some breezy fascination with the "making of" things. The machine shop instantiates a particular machinic aesthetic.

Date
June, 2005
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In this piece, the systematics of Riley's work are animated in the machine, and their wave-like potential is realized.

Date
June, 2005
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Inscription is an exploration of the aesthetics of power in relation to the task of writing. Here, in a time when the neo-fascist spirit is casting a shadow across the political culture, and when the possibility of meaningful political discourse seems more and more remote because of it, there is a relationship between the wealth of violence–war, images of brutality–and the poverty of our communications. There is a relationship between the denigration of thoughtfulness as weakness, femininity, and gayness, and the impossibility of halting the campaign of aggression that the U.S. has embarked on, or of furthering stalled progress in the domain of civil rights or economic justice.

Date
May, 2005
Images

This work explores the possibilities within a single system for creating random highly variable curves based on a harmonograph simulation. The harmonograph was a popular scientific toy of the late 19th century (lately making a comeback in contemporary science museums) which drew complicated Lissajous figures by attaching a pen to a multidimensional pendulum.

Date
February, 2003
Images

These works start from the example of Hesse's Metronomic Irregularity, translating the system first into language as a description of its system, and then into the performative language of software. The variability of paths between the regular spacing of the grid suggests a profusion of variation - the grid is exploded and parameterized relativized as a structuring mechanism. The possibilities for alternative organizing principles extends serially, pointing towards the infinite:

Date
May, 2002