If life were a game, what game would it be? … It must be either war or race; in either case, it is a contest. The abstract field of contest is a schematic representation of the territory beneath our feet: a map of the world. It is at once a field of combat as an un-owned commons, and the territorialized space of land as possession, with all places and possible positions marked out. Against this grid the move is made; the move is measured. The pieces find their places.

State of the Union (SOTU) provides access to the corpus of all the State of the Union addresses from 1790 to 2007. SOTU allows you to explore how specific words gain and lose prominence over time, and to link to information on the historical context for their use. SOTU focuses on the relationship between individual addresses

Clearly the desire for the same is operative in various ways in many domains: at the level of nationality, within the social, in terms of class, or by political identifications, subcultures, etc. Just as frequently, the desire for the same is challenged by its opposite: the desire for the different.

The site of production for Inscription, has a significance beyond some breezy fascination with the "making of" things. The machine shop instantiates a particular machinic aesthetic.

Inscription is an exploration of the aesthetics of power in relation to the task of writing. Here, in a time when the neo-fascist spirit is casting a shadow across the political culture, and when the possibility of meaningful political discourse seems more and more remote because of it, there is a relationship between the wealth of violence–war, images of brutality–and the poverty of our communications. There is a relationship between the denigration of thoughtfulness as weakness, femininity, and gayness, and the impossibility of halting the campaign of aggression that the U.S. has embarked on, or of furthering stalled progress in the domain of civil rights or economic justice.